My Artist’s Statement

AN INQUIRY INTO TIME AND PERCEPTION

My artistic practice is rooted in a single conviction: that the reality we perceive with our senses is merely a fraction of the truth. We live in a world of fleeting images, conditioned to accept the surface of a single second as the whole story. My work is a direct challenge to this illusion. It is a visual inquiry into the nature of time, driven by a relentless curiosity to explore the unseen spaces and deeper truths that lie just beyond the threshold of our everyday perception.

My process is a deliberate fusion of two distinct mindsets. It begins with an analog ethos—a commitment to patience, deep observation, and allowing my subject to unfold at its own, natural pace over extended periods. In this phase, I am a witness. Then, in the digital realm, my role transforms from witness to architect. Here, I do not layer images; I weave together a fabric of collected moments. I distill a multitude of events—of bloom, decay, light, and shadow—into a singular, layered reality that reveals the authentic essence of my subject.

This method allows me to explore my central theme: the profound interplay between the finite, cyclical body and the timeless, multidimensional soul. The subject becomes a vessel for this universal narrative, its transient beauty a language for speaking about impermanence and infinity. By collapsing time, I aim to create a bridge, not just to the unseen patterns of nature, but to the very structure of consciousness itself, revealing the eternal resonance that underpins our own existence.

Ultimately, my work is incomplete until it is met by the consciousness of a viewer. My creations are not pictures of something, but resonant instruments for introspection. They are intended as portals, designed to quiet the mind and invite a slower, more profound way of seeing. It is in this shared space of reflection—this dialogue between the artwork and the inner world of the observer—that my inquiry finds its purpose.